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| Barr, Charles | About the John Ford Archive | View Paper | |
| Chibnall, Steve | A Family Film Business: Researching the Adelphi Archive | View Paper | |
| Frisvold Hanssen, Eirik | The Fairy-Tale Theatre: Reception and Authorship at the Margins of the Ingmar Bergman Archive |
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| Gourdin-Sangouard, Isabelle | Some Kind of Dialectic: Lindsay Anderson's Artistic Process | ||
| Hunter, Aaron | Down to the Last Detail: Archival Reconstruction of Hal Ashby's Place in Hollywood Cinema |
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| Izod, John | A bumpy ride on The White Bus |
View Paper | |
| Mackenzie, Kathryn | Britannia Hospital: searching the archives for an audience |
View Paper | |
| Magee, Karl | O Lucky Man? Investigating the Lindsay Anderson Archive | View Paper | |
| Neve, Brian | Archives, process and discourse: Elia Kazan, Baby Doll and 'independent' American filmmaking, 1955-63 | View Paper | |
| Penfold, Christopher | Shedding the Political Skin: A Step Towards Accurate Authorship for Male-Female Collaborations | View Paper | |
| Spicer, Andrew | The Creative Producer: The Michael Klinger Papers | View Paper | |
| Street, Sarah | 'Designing for Moving Pictures': Production Designers and/in the Archives | View Paper | |
| Stuckey, Karyn | Lolita: a journey with Nabokov and Kubrick from the page to the screen | View Paper | |
| Vernet, Marc | The Ince 'Method' and Film on the West Coast between 1913 and 1917 | View Paper | |