Using Our Libraries
Collections
The Cinema Authorship of Lindsay Anderson - AHRC Funded Project - Project Outputs
This page gives details of project work that members of the research team have published, or presented at a conference:
In Search of an Audience: Lindsay Anderson's Britannia Hospital
Kathryn Mackenzie and Karl Magee contributed an article 'In Search of an Audience: Lindsay Anderson's Britannia Hospital' to the online film journal Participations (Volume 6, Issue 2). The paper was originally presented at the Edinburgh International Film Audiences Conference (27-29 March 2009).
Lindsay Anderson on flickr
A selection of Anderson's photograph albums from 1940s and 1950s have been made available on the University of Stirling Archives flickr pages. These albums provide a rich visual record of Anderson's early years as a filmmaker, documenting the early industrial films he made in Wakefield, his trips to the Cannes Film Festival and his contribution to Free Cinema.
Archives and auteurs conference, University of Stirling, 2-4 September 2009
The project team organised a major international conference examining the ways in which the study of the archives of filmmakers and the film industry can provide new perspectives on cinema history. All four members of the project team presented papers on their work which are available on the conference website.
'Creating Authorship? Lindsay Anderson and David Sherwin’s collaboration on If.... (1968)'
Isabelle Gourdin-Sangouard contributed an article, 'Creating Authorship? Lindsay Anderson and David Sherwin’s collaboration on If.... (1968)', to the first issue of the 'Journal of Screenwriting'. As it is the very first issue of this new journal, the publishers (Intellect), have made it available for free on their website.
'The Cinema Authorship of Lindsay Anderson'
Isabelle Gourdin-Sangouard presented a paper at the Annual MeCCSA (Media, Communications and Cultural Studies Communication Association Postgradute Network) conference on 8-9 July 2009 at Bangor University, Wales. Full details of the conference can be found here, and Isabelle Gourdin-Sangouard's abstract is on page 24.
'In Search of an Audience: Lindsay Anderson's Britannia Hospital'
Kathryn Mackenzie presented a paper at the Third Edinburgh International Film Audiences Conference held at the Filmhouse Cinema, Edinburgh (26-27 March 2009) examining the reaction of audiences to Britannia Hospital and the promotion of the film in the UK and abroad. Full details of the conference and an abstract of the paper can be found here.
'Music / Industry / Politics: Alan Price's role in O Lucky Man!'
John Izod presented a paper at a conference on 1970s British culture held at the University of Portsmouth (1-3 July 2008) looking at the multiple roles played by Alan Price and his band in O Lucky Man! Full details of the conference and an abstract of this paper can be found here.
'Hooray for Hollywood: the unmade films of Lindsay Anderson’
Karl Magee contributed an article on Anderson’s unrealised film projects to Sights Unseen: Unfinished British Films, edited by Dan North, which was published by Cambridge Scholars Press in January 2008. You can read a short extract from the article here.
Is That All There Is? An exhibition of archive material from the Lindsay Anderson Collection
James Hockey Gallery, University College for the Creative Arts, Farnham
From 31 January – 5 March 2008 UCCA, Farnham hosted an exhibition of items from the Anderson collection assembled by Karl Magee (Archivist, University of Stirling), Kirsteen MacDonald (Visual Arts Development Officer, Stirling Council) and Christine Kapteijn (UCCA, Farnham). The exhibition was opened by Karl Magee who spoke about the collection and the insights it provides on Anderson’s life and career.
‘Private thoughts, public records? The publication of the Lindsay Anderson Diaries’
In September 2007 Karl Magee presented a paper at the Third International Conference on the History of Records and Archives which was held at the Massachusetts Historical Society, Boston, USA. The paper examined the issues that arise when attempting to make private archival material, such as diaries, accessible to the public and also looked at the role and responsibilities of the archivist and the challenges of working with the personal papers of a well-known public figure. The full text of this paper is available here.
 |
 |
 |
 |
 |
